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PDF NEW [Zur Farbenlehre]


  • Paperback
  • 468
  • Zur Farbenlehre
  • Johann Wolfgang von Goethe
  • English
  • 13 January 2020
  • 9780262570213

Johann Wolfgang von Goethe Ü 7 characters

characters Zur Farbenlehre 107 To the study of color phenomena Goethe's conclusions have been repudiated but no one uarrels with his reporting of the facts to be observed With simple objects vessels prisms lenses and the like the reader will be led through a demonstration course not only in subjectively produced colors but also in the observable physical phenomena of color By closely following Goethe's explanations of the color phenomena the reader may become so divorced from the wavelength theory Goethe never even mentions it that he may begin to think about color theory relatively unhampered by prejudice ancient or modern. Still reeling I have no idea how to rate this thing or even to describe it other than as an unintentional bizarre comedy

Read & Download ↠ eBook, PDF or Kindle ePUB Ü Johann Wolfgang von GoetheZur Farbenlehre

characters Zur Farbenlehre 107 By the time Goethe's Theory of Colours appeared in 1810 the wavelength theory of light and color had been firmly established To Goethe the theory was the result of mistaking an incidental result for an elemental principle Far from pretending to a knowledge of physics he insisted that such knowledge was an actual hindrance to understanding He based his conclusions exclusively upon exhaustive personal observation of the phenomena of colorOf his own theory Goethe was supremely confident From the philosopher we believe we merit thanks for having traced the phenomena of colours to their first source. Most self respecting books about colour mention Goethe sooner or later Those references are simply the continued reverberations of his work from when it was written in 1810 to the present day and they retroactively provide the uninitiated reader with a context for his theory and the motivation to peruse it Otherwise facing 920 textual units that make up Goethe s Theory of Colours could prove uite dauntingIf you wish garner some of that context and motivation here are a few references I came across most recently1912 In Concerning the Spiritual in Art Wassily Kandinsky begins his section on The Language of Form and Colour with two uotations by Shakespeare and Delacroix but then grounds them using Goethe s theoryThese two uotations show the deep relationship between the arts and especially between music and painting Goethe said that painting must count this relationship her main foundation and by this prophetic remark he seems to foretell the position in which painting is today1975 In On Being Blue William H Gass gives his lyrical interpretation of Goethe s theory of lightEye and sky together are then blue and its apprehension Goethe great pagan that he was sounds the same note The eye owes its very existence to light From inert animal ancillary organs light evokes an organ which shall become light and so the eye learns to give light for light emitting an internal ray to encounter that from without1977 In Remarks on Colours Ludwig Wittegenstein uses Goethe s theory as a springboard for his own dissenting ideasOne thing was irrefutably clear to Goethe no lightness can come out of darkness just as and shadows do not produce light This could be expressed as follows we may call lilac a reddish whitish blue or brown a blackish reddish yellow but we cannot call a white a yellowish reddish greenish blue or the like And that is something that experiments with the spectrum neither confirm nor refute It would however also be wrong to say Just look at the colours in nature and you will see that it is so For looking does not teach us anything about the concepts of colours2009 In Bluets Maggie Nelson cites Goethe in favour of her topic We love to contemplate blue not because it advances to us but because it draws us after it wrote Goethe and perhaps he is right2017 In The Secret Lives of Colours Kasia St Claire gives Goethe s somewhat unfortunate uote in large magenta letters across a black backgroundSavage nations uneducated people and children have a great predilection for vivid coloursLet that suffice as a first offering of reverberationsAt the time of publication Goethe s theory was contentious to say the least He spent a whole part examining the Newtonian theory of colour from a negative standpoint Specifically in the preface Goethe saysIn the second part we examine the Newtonian theory a theory which by its ascendancy and consideration has hitherto impeded a free inuiry into the phenomena of colours We combat that hypothesis for although it is no longer found available it still retains a traditional authority in the worldBut this Gutenberg edition with notes by Charles Lock Eastlake does not cover that part Instead it focuses on colour theory a substantial portion which is itself divided into six partsPart I Physiological coloursPart II Physical coloursPart III Chemical coloursPart IV General characteristicsPart V Relation to other pursuitsPart VI Effect of colour with reference to moral associationsEach of the parts is further divided into numbered units of thought that actually aid the reader it s easier to focus only on the interesting ideasAnd interesting ideas abound I d roughly divide them into Pure observationsoften used in illusions 38 A grey object on a black ground appears much brighter than the same object on a white groundminutiae 378 In mother of pearl we perceive infinitely fine organic fibres and lamell in juxta position from which as from the scratched silver before alluded to varied colours but especially red and green may arise Observations during experiments65 Let a short lighted candle be placed at twilight on a sheet of white paper Between it and the declining daylight let a pencil be placed upright so that its shadow thrown by the candle may be lighted but not overcome by the weak daylight the shadow will appear of the most beautiful blue476 If we hold a penknife in the flame of a light a coloured stripe will appear across the blade The portion of the stripe which was nearest to the flame is light blue this melts into blue red the red is in the centre then follow yellow red and yellow Anecdotesabout the negative afterimage of bright objects that have overstimulated the rods and cones 52 I had entered an inn towards evening and as a well favoured girl with a brilliantly fair complexion black hair and a scarlet bodice came into the room I looked attentively at her as she stood before me at some distance in half shadow As she presently afterwards turned away I saw on the white wall which was now before me a black face surrounded with a bright light while the dress of the perfectly distinct figure appeared of a beautiful sea green Classifications140 Light under these circumstances may be affected by three conditions First when it flashes back from the surface of a medium in considering which catoptrical experiments invite our attention Secondly when it passes by the edge of a medium the phenomena thus produced were formerly called perioptical we prefer the term paroptical Thirdly when it passes through either a merely light transmitting or an actually transparent body thus constituting a class of appearances on which dioptrical experiments are founded We have called a fourth class of physical colours epoptical as the phenomena exhibit themselves on the colourless surface of bodies under various conditions without previous or actual dye Simplifications to contrastsPlus MinusYellow BlueAction NegationLight ShadowBrightness DarknessForce WeaknessWarmth ColdnessProximity DistanceRepulsion AttractionAffinity with acids Affinity with alkalis Dated but historically relevant generalisations840 The female sex in youth is attached to rose colour and sea green in age to violet and dark green The fair haired prefer violet as opposed to light yellow the brunettes blue as opposed to yellow red and all on good grounds The Roman emperors were extremely jealous with regard to their purple The robe of the Chinese Emperor is orange embroidered with red his attendants and the ministers of religion wear citron yellowNaturally it s also a pleasure to hunt down the sources for the references found in other books For example whilst Kandinsky mentions Goethe only that once as far as I could tell I found far similarities in their strains of thought so much so that I feel credit should have been given to Goethe s observations of colour expansions and contractions colour passivity and activity and the connection of colour to sound748 Colour and sound do not admit of being directly compared together in any way but both are referable to a higher formula both are derivable although each for itself from this higher law They are like two rivers which have their source in one and the same mountain but subseuently pursue their way under totally different conditions in two totally different regions so that throughout the whole course of both no two points can be compared Both are general elementary effects acting according to the general law of separation and tendency to union of undulation and oscillation yet acting thus in wholly different provinces in different modes on different elementary mediums for different sensesAnd there is so much The book is a deep branching compendium of observations and opinion which is why writers artists and philosophers return to Goethe s Theory Refusing to read it would be like insisting on reinventing all the different colour wheels when you could instead be studying their properties

Summary Zur Farbenlehre

characters Zur Farbenlehre 107 S to the circumstances under which they appear and are and beyond which no further explanation respecting them is possibleGoethe's scientific conclusions have of course long since been thoroughly demolished but the intelligent reader of today may enjoy this work on uite different grounds for the beauty and sweep of his conjectures regarding the connection between color and philosophical ideas; for an insight into early nineteenth century beliefs and modes of thought; and for the flavor of life in Europe just after the American and French RevolutionsThe work may also be read as an accurate guide. My favorite chapter was brown


10 thoughts on “PDF NEW [Zur Farbenlehre]

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    PDF NEW [Zur Farbenlehre] Most self respecting books about colour mention Goethe sooner or later Those references are simply the continued reverberations of his work from when it was written in 1810 to the present day and they retroactively provide the uniniti

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    PDF NEW [Zur Farbenlehre] Goethe plays a game of marbles with his eyeballs You can join him but you have to play by his rules; and they wo

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    PDF NEW [Zur Farbenlehre] My favorite chapter was brown

  5. says: PDF NEW [Zur Farbenlehre] Johann Wolfgang von Goethe Ü 7 characters Read & Download ↠ eBook, PDF or Kindle ePUB Ü Johann Wolfgang von Goethe

    Read & Download ↠ eBook, PDF or Kindle ePUB Ü Johann Wolfgang von Goethe Johann Wolfgang von Goethe Ü 7 characters PDF NEW [Zur Farbenlehre] of introduction In looking a little further round us we are not without fears that we may fail to satisfy another class of scientific men By an extraordinary combination of circumstances the theory of colours has been drawn into the province

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    Summary Zur Farbenlehre Johann Wolfgang von Goethe Ü 7 characters Read & Download ↠ eBook, PDF or Kindle ePUB Ü Johann Wolfgang von Goethe recommended by a bearded and bespectacled youth with a studious aspect on the sf muni or was it boston? I think it was sf

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    Summary Zur Farbenlehre Johann Wolfgang von Goethe Ü 7 characters PDF NEW [Zur Farbenlehre] Still reeling I have no idea how to rate this thing or even to describe it other than as an unintentional bizarre comedy

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    Summary Zur Farbenlehre PDF NEW [Zur Farbenlehre] Johann Wolfgang von Goethe Ü 7 characters The contradistinction between science and phenomenology is most clear when you realize that phenomenology attempts no deconstruction through intentional being of the physical self vis a vis to perception And that

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    Johann Wolfgang von Goethe Ü 7 characters Read & Download ↠ eBook, PDF or Kindle ePUB Ü Johann Wolfgang von Goethe Summary Zur Farbenlehre Finishing Goethe's treatise on colours such obssessive descriptions of prismastic experiments makes me imagine Goethe as a Locus Solus case Very educative on colour theory and composition also discovered that th

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